Hiroshige II, Akasaka, Famous Views of Edo, Snow, Landscape
Artist: Hiroshige II Utagawa (1826-1869)
Title: 44. Kinokuni Slope in Akasaka
Series: Forty-eight Famous Views of Edo
Publisher: Tsutaya Kichizo
Date: c. 1860
Size: 18.5 x 25.2 cm
Original Japanese woodblock print.
As with many of Hiroshige II's prints, those comprising the series 'Forty-Eight Famous Views of Edo' borrowed compositional elements from his teacher Hiroshige I Utagawa. At this point, he had just started using his teacher's name, who had recently passed away, therefore the prints in this series are signed 'Hiroshige'.
This slope takes its name from the fact that the residence of the Kishu (Wakayama Prefecture) Tokugawa family was located on this vast site through the Edo era. The outer moat of Edo Castle is also known as Benkei-bori because it is named after Benkei Shozaeman, who undertook the construction of the moat during 1624-1643. The scene is a peaceful one, with snow covering the city and the slope. The river is rendered with delicate bokashi (colour gradation). Hiroshige II uses a printing effect earlier seen in his teacher's designs, with blank areas around objects to suggest heavy snow.
Hiroshige II Utagawa (1826 - 1869)
In the genre of Japanese art, Hiroshige II Utagawa was a woodblock print artist best known for continuing the tradition of Hiroshige I Utagawa in producing landscape prints. Born in Edo (today’s Tokyo), many details of his formative years are unknown, except that he became a pupil of Hiroshige I under the name of Shigenobu. Hiroshige II produced a large number of commissioned work in the 1850s in the style of the elder Hiroshige, and often signed his work ‘Ichiryusai mon’ (student of Ichiryusai, another art name of Hiroshige).
He seems to have married Hiroshige’s daughter Otatsu and inherited Hiroshige’s name following his death in 1858. In 1865 he moved from Edo to Yokohama after dissolving his marriage and began using the name Kisai Rissho. During this decade he produced a number of collaborative print series, particularly with Kunisada, who had earlier worked with Hiroshige I.
His works have often been confounded with those of Hiroshige I, resembling them closely in style, subject, and even signature, particularly in series such as ‘One Hundred Famous Views in the Various Provinces’ (1859-61) that echo his master’s ‘Famous Views of the Sixty-odd Provinces’ (1853-56). ‘One Hundred Famous Views of Edo’ (1856-58), also mainly completed by Hiroshige I, was finished by Hiroshige II following the former’s death. While the signature on this series of prints remain the same, the later designs show stylistic resemblance to those of Hiroshige II. The artist’s other notable series include ‘Eight Views of the Sumida River’ (1861) and ‘Thirty-six Views of the Eastern Capital’ (1861-62).
|Artist||Hiroshige II Utagawa (1826 - 1869)|
|Size||18.5 x 25.2 cm|
|Condition Report||Minor spots.|