Hokusai Katsushika, Big Dipper, Constellation, Manga
Artist: Katsushika Hokusai (1760 - 1849)
Title: Big Dipper
Series: Hokusai Manga Volume 13
Size: 22.6 cm x 15.1 cm
Original Japanese woodblock print.
This print is from the Hokusai Manga (sketches) series published in 15 volumes. The first volume of the series was intended as a drawing instruction manual but Hokusai almost immediately removed the text and republished the drawings alone. The series took Hokusai on an encyclopedic venture, from seemingly insignificant depictions of everyday objects to spirits and historical figures.
Above a crescent moon appearing very close to the sea, the Big Dipper is visible in the night sky. Scholars believed that Hokusai was a follower of a Nichiren Buddhism strain that venerated the Bodhisattva Myoken, suggesting Hokusai's reason for portraying the Big Dipper here. The constellation was personified by the Bodhisattva, and the characters used in the names Hokusai and Taito (also used by the artist) make reference to the north star, around which the Big Dipper revolves.
Hokusai Katsushika (1760 - 1849)
Hokusai Katsushika is considered to be one of the greatest artists within Japan as well as the entire art community worldwide. While prints of beautiful women (bijinga) and prints of actors (yakusha-e) were popular in the ukiyo-e during that time, Hokusai distinguished himself in a new field in ukiyo-e, landscapes. Born in Edo (today’s Tokyo), he initially trained as an engraver. At the age of 18 he became a student of Katsukawa Shunsho (1726-1792) producing kabuki actors prints.
Hokusai devoted almost all of his 90 years of life to drawing and painting. Never satisfied with one technique or mastering one style of drawing, he always sought to improve as an artist. In the mid-1810s, the first volume of ‘Hokusai’s Manga’ was published. This series of sketchbooks consists of 15 volumes in total, covering a wide variety of subjects and is often referred to as a series of instructional drawing manuals intended to serve as a kind of textbooks for those who wanted to become artists.
In the early 1820s, Hokusai started working on the series ‘Thirty-six Views of Mt. Fuji’, which was finally published in 1830. It is certainly his most famous body of work and is often considered his best. The series actually consists of 46 images, with designs such as ‘The Great Wave off Kanagawa’, ‘Fine Wind, Clear Weather’, and ‘Rain Storm Beneath the Summit’, known worldwide. His other famous series ‘A Tour of the Waterfalls of the Provinces’ also appeared around this time period. In the mid-1830s, his illustrated book ‘One Hundred Views of Mt. Fuji’ was published. Filled with depictions of the mountain in often dynamic compositions, this book, alongside ‘Thirty-six Views of Mt. Fuji’, established Hokusai as the ‘Mt. Fuji artist’.
His last major print series, 'One Hundred Poems Narrated by the Nurse', was published between 1835 and 1838. After that, the artist focused on Japanese traditional paintings until his death.
Hokusai used over 50 names to sign his works and had achievements in various fields as an artist. His influences stretched across the globe to his western contemporaries in nineteenth-century Europe with Japonism, which started with a craze for collecting Japanese art, particularly ukiyo-e. He influenced the Impressionism movement, with themes echoing his work appearing in the work of Claude Monet and Pierre-Auguste Renoir, as well as the Art Nouveau style.
|Artist||Hokusai Katsushika (1760 - 1849)|
|Size||22.6 x 15.1 cm|
|Condition Report||Trimmed on the left side, binding marks on the right, ink stain at the bottom.|