Kuniyoshi Utagawa, Nitta Yoshisada Throwing his Sword into the Sea
Artist: Kuniyoshi Utagawa (1798-1861)
Title: Lord Nitta Yoshisada heading to Kamakura to attack Taira no Takatoki
Publisher: Ezakiya Tatsuzo
Size: (L) 25 x 36.4 (C) 25.8 x 36.7 (R) 24.7 x 36.7 cm
Original Japanese woodblock print.
Nitta Yoshisada throwing his sword into the sea as an offering to the sea-gods to enable him to attack the Hojo in Kamakura in 1333.
The solemn and dignified air of the scene presages the miraculous event about to happen. Embarking on the Kamakura campaign of 1333 to defeat the Hojo clan on imperial order, Nitta Yoshisada (1301-1338) found himself at an insurmountable impasse. Blockaded by the natural fortress of Kamakura's vertiginous slopes and the Hojo's fleet spread along the capes, obeying the Emperor Go-Daigo's (1288-1339) command required an extraordinary phenomenon. Yoshisada placed himself by the shore and looked out towards the ocean, praying to the dragon god Ryujin, the all-powerful regent of the seas. He then threw his sword into the water. Magnificently answering his call, the dragon god parted the sea, allowing Yoshisada to reach the Hojo stronghold.
In Kuniyoshi’s master depiction of this iconic scene, the fire adds to the mystical pursuit. Wonderful rendition of the scene that follows the eye movement of the characters from right to left, up to the sword caught in mid-air.
Kuniyoshi Utagawa (1797 - 1861)
Kuniyoshi Utagawa can without a doubt be considered the master of the warrior print genre. Born in Edo (today’s Tokyo) as the son of a silk-dyer, he had first-hand experience that later influenced the rich use of colour and textile patterns in his prints. His early talent and his drawings impressed the ukiyo-e print master Toyokuni I Utagawa and he was officially admitted to his studio in 1811, becoming one of his chief pupils. He remained an apprentice until 1814, at which time he was given the name ‘Kuniyoshi’ and set out as an independent artist.
His break-through came in 1827 with the series of ‘The 108 Heroes of The Tale of Suikoden’, which is based on a Chinese novel of the same name from the 14th century. It contains tales of about 108 rebels and heroic bandits that were very popular in Japan during Kuniyoshi’s lifetime, as their strong feelings of justice resonated with the Edo public with limited freedom and under strict government laws. A series of reforms in the 1840s banned the illustration of courtesans and kabuki actors in ukiyo-e. The government-created limitations became a kind of artistic challenge which actually encouraged Kuniyoshi's creativity by forcing him to find ways to veil criticism of the government allegorically. He also played a major role in tattoo designs in woodblock prints, with many of his works still being a source of inspiration for contemporary tattoo artists.
The warriors and heroes Kuniyoshi continuously designed were extremely popular and gave the artist the nickname of ‘Kuniyoshi of Warrior Prints’. Dynamic bodies and stern expressions were characteristic to his warriors, lending them a powerful and strong look. The commercial success of his warriors gave Kuniyoshi the freedom to explore other subjects of ukiyo-e, such as animals, birds, flowers, beautiful women, monsters and ghosts. His compositions are replete with humour and often involve witty wordplay. His most spectacular triptychs of warriors resonate even in contemporary culture, with influence in modern graphic media such as manga. His most famous designs include ‘The Ghosts of Taira Attack Yoshitsune at Daimotsu Bay’ and ‘Princess Takiyasha Summons a Skeleton Spectre to Frighten Mitsukuni’.
Kuniyoshi was an excellent teacher and had numerous pupils who continued his branch of the Utagawa school. Among the most notable were Yoshitoshi, Yoshitora, Yoshiiku, Yoshikazu, Yoshitsuya, and Yoshifuji. As they became established as independent artists, many went on to develop highly innovative styles of their own.
|Artist||Kuniyoshi Utagawa (1797 - 1861)|
|Subject||Samurai & Male, Ghosts & Religion|
|Size||(L) 25 x 36.4 (C) 25.8 x 36.7 (R) 24.7 x 36.7 cm|
|Condition Report||Slightly trimmed. Binding holes. Light creases along the edges. Light soiling.|