Toyokuni III Utagawa, Kabuki, Mizuuri, Iroha
Artist: Toyokuni III Utagawa (1786-1864)
Title: Actor, Kawarazaki Gonjuro I as Mizuuri
Series title: The Seven Variations of the Iroha
Publisher: Tsujiya Yasubei
Date: c. 1856
Size: 24.0 x 35.0 cm
Original Japanese woodblock print.
Iroha is a kana ordering based on a poem which contains each kana (Japanese syllabary) used once. Put in order, the syllables form a poem that is generally attributed to the founder of the Shingon Esoteric sect of Buddhism in Japan, monk Kukai. The poem was frequently used as an ordering of the kana until the Meiji era reforms in the 19th century, just like 'a, b, c...' in English.
In this series, each print is given a different kana (syllable). Beautifully coloured, the series has a red cartouche at the top right which shows a demon with a wide open mouth that spells the title. On the left, a folding screen carries the title of each print. This example shows kabuki actor Kawarazaki Gonjuro I and the syllable 'mi' for 'sunset glow' in his role as a water seller (Mizuuri). His robe is decorated with a waterfall motif and carp are seen swimming upstream, a common theme that suggests the determination and strength of his character.
Toyokuni III Utagawa (Kunisada I) (1786 - 1864)
Kunisada I Utagawa was a prolific woodblock print artist mostly known for his pictures of beautiful women (bijinga) and kabuki actors prints (yakusha-e). Born in Edo (today’s Tokyo), he became a pupil of Toyokuni I Utagawa (1769-1825) at the age of 15 and would later adopt his name in the traditional Japanese manner, becoming Toyokuni III and continuing the development of the Utagawa art school.
Kunisada’s pictures reflect the culture of Japan in the years leading up to the country’s opening to the West. His first book illustrations were published in 1807 and his first actor portrait the following year. Alongside theatrical scenes and courtesans, yakusha-e was his preferred genre amidst all his popular and extensive output. As he painted a large number of these, continuing the stout realism of his teacher, he acquired the nickname ‘Yakusha-e no Kunisada’ – Kunisada, the actor painter. In his numerous bijinga he clung to the ideal of beauty prevalent at the time. Most of the women portrayed were courtesans from Yoshiwara, the regulated red-light district of the city.
In 1820s Kunisada joined author Ryutei Tanehiko (1783-1842) to work on illustrating a series of books based on the classical novel ‘The Tale of Genji’, the reinterpreted story having been relocated from the old capital of Kyoto to the new audience in Edo. The work started a new ukiyo-e genre, genji-e, and proved an overnight success, becoming the first Japanese publication to sell over 10,000 copies, a record which stood for many years.
Kunisada gave his audience an escape from the restrictions of their ordinary lives and his designs, with their optimism and energy, still have the capacity today to attract and entertain. Notable students of Kunisada included Kunichika Toyohara, Sadahide Utagawa and Kunisada II Utagawa.
|Print Format||Oban (Vertical)|
|Artist||Toyokuni III Utagawa (Kunisada I) (1786 - 1864)|
|Subject||Samurai & Male, Kabuki Theatre|
|Size||24.0 x 35.0 cm|
|Condition Report||Trimmed. Light crease along the right edge. Minor soiling.|