Utamaro Kitagawa, Courtesan, Yoshiwara District, Beauty
Artist: Utamaro Kitagawa (1753 - 1806)
Title: 7 to 9 pm
Series: Seiro Juni Toki (Twelve Hours of the Green House)
Publisher: Tsutaya Juzaboro
Dimensions: 24.3 x 35.9 cm
Original Japanese woodblock print.
The Yoshiwara district, which Utamaro often frequented, was rather different from the image we may have of a European red-light district of around the nineteenth century. Although harboring the unethical and the hedonistic, to one's surprise, some parts of the Yoshiwara were almost akin to the Parisienne salon of the same time. High ranking courtesans chose which clients they accepted and this was often not based on financial means. An educated and cultured suitor was ideal. Utamaro's courtesan can be seen in the middle of writing in semi-cursive script. With the air of an older sister, she turns with a sweet expression towards her kamuro, a young apprentice who would wait on and learn from their assigned courtesan until eventually becoming one themselves. In this portrait, Utamaro captures something of the ethereality of the Yoshiwara, a place which promulgated the term 'the floating world' for its dreamy qualities in a society markedly feudal and rigid in its hierarchy. The smooth line of her neck and warm expression bypass her anatomically unnatural movement: she exudes ease and poise even in her languid pose. Her garments and writing paper, too, all drape beside her into a pool of fabrics and textures. Just in front of her is a suzuri-bako, a Japanese writing box that often works of art in themselves.
Utamaro I Kitagawa (1753 - 1806)
Utamaro Kitagawa is one of the most significant figures in the history of Japanese art. He is best known for his bijinga (prints of beautiful women) and a series of nature studies. He was and remains one of the artists best known outside of Japan, along with Hokusai Katsushika and Hiroshige I Utagawa.
Born in 1753, he lived most of his life in Edo (today’s Tokyo) and in his childhood studied art under Sekien Toriyama (1712-1788). He later favoured Masanobu Kitao’s and Kiyonaga Torii’s aesthetic who were both famous for their elegantly elongated images of women. In 1788 Utamaro achieved wide recognition for his work when a number of albums of the highest compositional and technical quality aided him in this achievement. These albums were published by Tsutaya Juzaburo, the most famous publisher of his day, and with whom Utamaro would create a large amount of outstanding work. They joined forces to produce innovative designs, which included close-up portraits (okubi-e), three-quarter length portraits with shimmering mica powder background and a vast array of pictures of famous courtesans from Yoshiwara, the licensed red-light district. His style during this time is defined by graceful and elegant ladies, with rich and elaborate garments, posed in such a way that also revealed the inner beauty of the sitter. His favourite motifs were women at their everyday business, making themselves up, bathing, arranging their hair, walking in the garden, mothers with children, and pairs of lovers.
Utamaro’s focus was always on character and expression. This type of portraits was unusual at the time, which Utamaro recognised and exploited, sometimes signing his work with ‘Utamaro the physiognomist’. Over the years, Utamaro also created shunga (erotic prints), although many these are unsigned due to their licentious nature and not being approved by governing authorities. Utamaro had a number of pupils, who took names such as Kikumaro (later Tsukimaro), Hidemaro, and Takemaro.
|Print Format||Oban (Vertical)|
|Artist||Utamaro I Kitagawa (1753 - 1806)|
|Subject||Beauty & Female, Kimono Design|
|Size||24.3 x 35.9 cm|
|Condition Report||Residue paper on the back from the previous mounting. Green pigment near the bottom side. Tear along the left side restored.|