Hokusai Katsushika, Asakusa Toshi no Ichi from Hokusai Booklet, New Year Traditions
Artist: Katsushika Hokusai (1760 - 1849)
Title: Asakusa Toshi no Ichi from Hokusai Booklet
Date: c. early 19th century
Size: (L) 26.3 x 15.4, (R) 26.3 x 16.7 cm
Original Japanese woodblock print.
Asakusa Toshi no Ichi is held every year in December and represents a special festival day for Kannon, the Goddess of Mercy. It is known as the Hagoita Ichi (Battledore Fair) where gorgeous Kabuki-themed battledores are displayed and sold. During the Edo period (1603-1868), it was a large market selling mainly New Year's goods and auspicious items at the temple. Eventually, the battledores became the most prominent. When a customer buys a battledore, the seller claps three times and cheers for the customer's good luck. In this design, Hokusai captures the busy market around Asakusa, with visitors to the temple looking down at the stalls swamped with customers.
Hokusai Katsushika is considered to be one of the greatest artists within Japan as well as the entire art community worldwide. While prints of beautiful women (bijinga) and prints of actors (yakusha-e) were popular in the ukiyo-e during that time, Hokusai distinguished himself in a new field in ukiyo-e, landscapes. Born in Edo (today’s Tokyo), he initially trained as an engraver. At the age of 18 he became a student of Katsukawa Shunsho (1726-1792) producing kabuki actors prints.
Hokusai devoted almost all of his 90 years of life to drawing and painting. Never satisfied with one technique or mastering one style of drawing, he always sought to improve as an artist. In the mid-1810s, the first volume of ‘Hokusai’s Manga’ was published. This series of sketchbooks consists of 15 volumes in total, covering a wide variety of subjects and is often referred to as a series of instructional drawing manuals intended to serve as a kind of textbooks for those who wanted to become artists.
In the early 1820s, Hokusai started working on the series ‘Thirty-six Views of Mt. Fuji’, which was finally published in 1830. It is certainly his most famous body of work and is often considered his best. The series actually consists of 46 images, with designs such as ‘The Great Wave off Kanagawa’, ‘Fine Wind, Clear Weather’, and ‘Rain Storm Beneath the Summit’, known worldwide. His other famous series ‘A Tour of the Waterfalls of the Provinces’ also appeared around this time period. In the mid-1830s, his illustrated book ‘One Hundred Views of Mt. Fuji’ was published. Filled with depictions of the mountain in often dynamic compositions, this book, alongside ‘Thirty-six Views of Mt. Fuji’, established Hokusai as the ‘Mt. Fuji artist’.
His last major print series, 'One Hundred Poems Narrated by the Nurse', was published between 1835 and 1838. After that, the artist focused on Japanese traditional paintings until his death.
Hokusai used over 50 names to sign his works and had achievements in various fields as an artist. His influences stretched across the globe to his western contemporaries in nineteenth-century Europe with Japonism, which started with a craze for collecting Japanese art, particularly ukiyo-e. He influenced the Impressionism movement, with themes echoing his work appearing in the work of Claude Monet and Pierre-Auguste Renoir, as well as the Art Nouveau style.
|Print Format||Double Page|
|Subject||Male & Female, Landscapes, Others|
|Dimensions||(L) 26.3 x 15.4, (R) 26.3 x 16.7 cm|
|Condition Report||Some spots, minor creases, some binding holes and wormholes on the right panel.|