Chikanobu Yoshu, Archery Practice, The Outer Palace of Chiyoda
Artist: Chikanobu Yoshu (1838-1912)
Title: Archery Practice
Series: The Outer Palace of Chiyoda
Publisher: Fukuda Hatsujiro
Size: (L) 23.8 x 35.7, (C) 24.5 x 35.7, (R) 23.8 x 35.8 cm
Original Japanese woodblock print.
'The Outer Palace of Chiyoda' is a companion series to 'The Inner Palace of Chiyoda'. It depicts the life of male members of the royal court and historic scenes from the outside walls of Chiyoda Palace.
During the Edo period it was forbidden to publish images of the ruling Tokugawa family or events connected to the Tokugawa clan. With the Meiji restoration came a relaxation of those laws and the public was finally able to indulge in images that portrayed the old ruling family, their daily life and activities and even historical events related to them.
|Artist Name||Chikanobu Yoshu|
|Subject||Samurai & Male|
|Dimensions||(L) 23.8 x 35.7, (C) 24.5 x 35.7, (R) 23.8 x 35.8 cm|
|Condition Report||Slightly trimmed, light soiling, debris in the paper on the right panel, vertical crease on the side of the centre panel.|
Born into the Hashimoto samurai family in the Echigo province, Chikanobu became one of the final, great, traditional ukiyo-e artists of the Meiji era, fighting to preserve the traditional culture of Japan. Even so, the modernisation brought about by Western values and technologies can be seen in his work. As a result, he develops a distinctive personal style blending a close adherence to the traditional technique of ukiyo-e, and occasional western imagery. Chikanobu’s early work includes the series ‘From the Famous Places of Edo’, as well as war prints based on the Kagoshima uprising in 1877. He also designed prints rooted in traditional myths and legends. Even though Chikanobu’s prints showcase a variety of subjects, due to the wealth of his beauties and court ladies works, it is believed that the customs and events of the imperial family were his favourite subject. Out of these prints, the most well-known series is probably ‘Court Ladies of the Chiyoda Place’ (‘Chiyoda no O-oku’), which depicts the court life in the palace of the Tokugawa shogunate. This series, like many of Chikanobu’s artworks, is a series of triptychs. Another famous series by this artist is titled ‘True Beauties’ (‘Shin Bijin’) that showcases Japanese ladies in traditional kimono. Influenced by the rapid changes happening in Japanese society following the Meiji restoration, Chikanobu also produced beauty prints showing ladies in Western clothing, as opposed to kimono.