Chikanobu Yoshu, Snow in Tsukuba, Princess, Supernatural
Artist: Chikanobu Yoshu (1838-1912)
Title: Snow in Tsukuba
Series: Snow, Moon and Flower
Publisher: Kobayashi Tetsujiro
Size: 24.4 x 36.6 cm
Original Japanese woodblock print.
Princess Takiyasha, the daughter of Tairo no Makasado, traverses through the snow on Mt. Tsukuba. After a failed revolt against the emperor, Makasado was beheaded and his entire family ordered to be assassinated. All were killed except for his son and daughter. Eventually, the children encounter the sage Nikushisen who reveals their lineage and bestows them with a magical scroll detailing his particular brand of occult magic, frog sorcery. With these newly found abilities, Princess Takiyasha vows to avenge her father and rises up against the Emperor with a demonic force of ghosts and demons known as yokai. Despite her supernatural powers, Princess Takiyasha suffers the same fate as her father when her attempt is foiled by Ōya no Tarō Mitsukuni, a warrior also versed in the esoteric.
|Print Format||Oban (Vertical)|
|Artist Name||Chikanobu Yoshu|
|Title||Snow in Tsukuba|
|Subject||Beauty & Female, Ghosts & Religion|
|Dimensions||24.4 x 36.6 cm|
|Condition Report||Minor pigment and crease on margins. Black ink dot in the centre of the print.|
Born into the Hashimoto samurai family in the Echigo province, Chikanobu became one of the final, great, traditional ukiyo-e artists of the Meiji era, fighting to preserve the traditional culture of Japan. Even so, the modernisation brought about by Western values and technologies can be seen in his work. As a result, he develops a distinctive personal style blending a close adherence to the traditional technique of ukiyo-e, and occasional western imagery. Chikanobu’s early work includes the series ‘From the Famous Places of Edo’, as well as war prints based on the Kagoshima uprising in 1877. He also designed prints rooted in traditional myths and legends. Even though Chikanobu’s prints showcase a variety of subjects, due to the wealth of his beauties and court ladies works, it is believed that the customs and events of the imperial family were his favourite subject. Out of these prints, the most well-known series is probably ‘Court Ladies of the Chiyoda Place’ (‘Chiyoda no O-oku’), which depicts the court life in the palace of the Tokugawa shogunate. This series, like many of Chikanobu’s artworks, is a series of triptychs. Another famous series by this artist is titled ‘True Beauties’ (‘Shin Bijin’) that showcases Japanese ladies in traditional kimono. Influenced by the rapid changes happening in Japanese society following the Meiji restoration, Chikanobu also produced beauty prints showing ladies in Western clothing, as opposed to kimono.