Goyo Hashiguchi, Two Women after Bath, Shin Hanga
Original Japanese woodblock print.
Artist: Goyo Hashiguchi (1880-1921)
Title: Two Women after a Bath
Date: Originally published in 1920
Dimensions: 40.2 x 53.7 cm
Condition: Mica slightly abraded. Foxing. Tape residue on back from previous mounting.
After a calming soak, two young ladies begin to dress. Although the elegance and detail of the ladies' coiffures have been rendered with acute detail, the design draws from the simplicity and flowing lines of Goyo's artistic predecessors. Without the shadow or shade gradations employed in his other works to suggest depth, Goyo invokes an earlier style of ukiyo-e woodblock printing exemplified by Utamaro Kitagawa (1753-1806), the renowned artist of the bijin-ga [lit. pictures of beautiful women] genre. Yet the mirror unit drawn in perspective, as well as the reflection in the mirror itself, belies Goyo's eloquent amalgamation of Japanese and Western art forms. The silver mica background lends the only element of colour, allowing viewers to focus on the intimate privacy between the two ladies.
|Artist Name||Goyo Hashiguchi|
|Subject||Beauty & Female, Modern/Shin-Hanga|
|Dimensions||40.2 x 53.7 cm|
|Condition Report||Mica slightly abraded. Foxing. Tape residue on the back from the previous mounting.|
Goyo Hashiguchi was a painter and printmaker and one of the key artists of the beginning of the 20th century in Japan. Born in Kagoshima, he received an early influence in the arts from his father who dabbled in painting. It is believed that at the age of fourteen Goyo studied locally with the Kano painter Uchiyama Ikkan (1823-97). In 1899, he moved to Tokyo where he studied nihonga and yoga styles of painting. In 1904 he began to receive commissions for illustrations, lithographs and woodblock printed covers particularly from literary and art magazines. Some of his works appeared on book covers by popular writers of the day such as Natsume Soseki and Tanizaki Jun’ichiro. In 1911 he won a poster competition for the prestigious Mitsukoshi department store with a design of a young woman dressed in kimono with a fashionable contemporary pattern and sporting an up-to-date hairstyle. From then onwards, Goyo became more interested in traditional ukiyo-e forms from the Edo period with admiration for artists such as Hiroshige I Utagawa, Suzuki Harunobu and Kitagawa Utamaro.
In 1915, urged by the shin-hanga publisher Watanabe Shozaburo, he designed a print for artisans to produce under Watanabe’s direction. ‘Woman at Her Bath’ became an iconic design. Without the use of shading and using only defined lines, Goyo masterfully depicted a woman's body and graceful charm. After deepening his understanding of the production process of woodblock prints, he decided to self-publish his own designs. His craftmanship was of extremely high standard from the paper he chose to the lush pigments applied. He also drew from live models, capturing women and their gestures in a pensive, almost meditative state.
His body of work only amounts to a handful of woodblock prints, as the artist met his untimely death at 41 years old following a sudden illness. Despite this, with their elegance and a great deal of subtlety, his pictures of beauties have made Goyo highly appraised as one of the best Taisho artists in both Japan and overseas.