Hiroshige Ando, Salt Beach in Iwami, Famous Views of the Sixty-odd Provinces

£1400
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Hiroshige 17
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Artist: Hiroshige Ando (1797-1858)
Title: The Salt Maker's Beach near Mount Takazuno in Iwami Province
Series title: Famous Views of the Sixty-odd Provinces
Publisher: Koshimuraya Heisuke
Date: 1856-1858
Size: 35.4 x 23.2 cm

Original Japanese woodblock print.

hiroshige ando, salt beach in iwami province, landscape
hiroshige ando, salt beach in iwami province, landscape hiroshige ando, salt beach in iwami province, landscape

Hiroshige I was renowned as one of the most skilled landscape artists of his time. Following in the footsteps of his teacher, Toyohiro Utagawa, he embraced producing images of natural landscapes at a time when travel between provinces was becoming more common, and convenient. With this new ease of travel came the demand for guides to these foreign locales in the form of both writing and images. Hiroshige I' followed his groundbreaking 'Fifty-Three Stations of the Tokaido' with a long career of series of both serene, and bustling, landscapes.


In 1853 he began his 'Famous Views of the Sixty Odd Provinces', a series of sixty-nine prints, each giving a view of a famous sight from each of the sixty-eight provinces, and the capital Edo. Taking views stretching across the whole of the country of the Japan at the time, it was a little window into what was available for those looking to travel to any province.


This print depicts the salt beach at the foot of Mount Takazuno. The torii gate to the left margin of the print is the entrance to the Kakinomoto Sanctuary situated higher in the mountains.

More Information
Print Format Oban (Vertical)
Artist Name Hiroshige I Utagawa (Hiroshige Ando)
Title The Salt Maker's Beach near Mount Takazuno in Iwami Province
Subject Landscapes
Dimensions 35.4 x 23.2 cm
Condition Report Slightly trimmed, light wear and soiling, minor creases.
Series Famous Views of Sixty Odd Provinces

Hiroshige I Utagawa (Hiroshige Ando)


Hiroshige I Utagawa was a woodblock print artist best known for his landscape prints and considered as one of the greatest Japanese artists in ukiyo-e history to have influenced Western impressionists, such as Van Gogh and Claude Monet. Born in Edo (today’s Tokyo), he started sketching from an early age and was later accepted into Toyokuni I Utagawa’s highly successful studio mostly under the guidance of Toyohiro Utagawa (1773-1828), from whom he would adopt his art name. He also took nanga painting lessons that had a great influence on his later work.

In 1831 his first landscape series ‘Famous Places of The Eastern Capital’ (Toto Meisho) was published and the following year Hiroshige passed on his family responsibilities to his relatives to dedicate his entire energy to printmaking. In 1832, it is said that Hiroshige was appointed by Bakufu, the feudal government of Japan, to accompany an official procession from Edo to Kyoto along the Tokaido road. The artist made many sketches during this journey, resulting in the production of his most acclaimed series ‘Fifty-three Stations of the Tokaido Road’, although some of the designs are based on older available images. To be noted that it was rare for an artist (and regular people in general) to be able to travel and sketch landscapes from life during the Edo period, which makes some scholars believe that Hiroshige depicted most scenes entirely from his imagination.

The ten-year period of 1833-1843 is thought to have been Hiroshige’s most developed and innovative time as an artist. A lot of series that were produced during this time, such as ‘Sixty-nine Stations of Kisokaido Road’, ‘Eight Views of Omi’ and ‘Famous Places of Kyoto’, would lead to the peak of his career when he produced the ‘Famous Views of the Sixty-odd Provinces’, ‘Thirty-six Views of Mt Fuji’ and his last great series, ‘One Hundred Famous Views of Edo’. In addition to his landscape prints, Hiroshige also designed kacho-ga (pictures of birds and flowers), bijinga (pictures of beautiful women), yakusha-e (pictures of actors), warriors and historical subjects.

Hiroshige’s prints are particularly sought for their perspective and excellent bokashi (colour gradation). Careful overprinting and shading of colours bring to life many natural elements such as the sky or water, rocks and mountains. An appreciation for wood pattern can also be noted in Hiroshige’s prints, with certain designs showing a unique texture and an organic quality deeply cherished by collectors. As many other reputable artists, he also had many students, some of the most famous being Hiroshige II Utagawa and Hirokage Utagawa.

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