Hokusai Katsushika, Marishiten, Hokusai Manga
Artist: Katsushika Hokusai (1760 - 1849)
Title: Marishiten
Series: Hokusai Manga Vol.3
Publisher: Toheki-do
Date: 1814-1878
Size: (T) 22.7 x 15.7 cm (B) 22.7 x 15.7 cm
Original Japanese woodblock print.
This print is from the Hokusai Manga (sketches) series published in 15 volumes. The first volume of the series was intended as a drawing instruction manual but Hokusai almost immediately removed the text and republished the drawings alone. The series took Hokusai on an encyclopaedic venture, from seemingly insignificant depictions of everyday objects to spirits and historical figures.
Marishiten is regarded as a deification of mirages and being thus invisible or difficult to see was invoked in order to escape the notice of one's enemies. This martial aspect has been carried over in the cult of Marishiten in Japan, where it came to be revered as a tutelary deity of the warrior class. Later it was also worshipped as a god of wealth and prosperity among the merchant class. Marishiten assumes a variety of forms and may have one, three, five or six faces and two, six, eight, ten or twelve arms. In its many-faced manifestations one of the faces is that of a sow, and it rides either a sow or a chariot drawn by seven pigs, sometimes with bow and arrows.
Hokusai Katsushika
Hokusai Katsushika is considered to be one of the greatest artists within Japan as well as the entire art community worldwide. While prints of beautiful women (bijinga) and prints of actors (yakusha-e) were popular in the ukiyo-e during that time, Hokusai distinguished himself in a new field in ukiyo-e, landscapes. Born in Edo (today’s Tokyo), he initially trained as an engraver. At the age of 18 he became a student of Katsukawa Shunsho (1726-1792) producing kabuki actors prints.
Hokusai devoted almost all of his 90 years of life to drawing and painting. Never satisfied with one technique or mastering one style of drawing, he always sought to improve as an artist. In the mid-1810s, the first volume of ‘Hokusai’s Manga’ was published. This series of sketchbooks consists of 15 volumes in total, covering a wide variety of subjects and is often referred to as a series of instructional drawing manuals intended to serve as a kind of textbooks for those who wanted to become artists.
In the early 1820s, Hokusai started working on the series ‘Thirty-six Views of Mt. Fuji’, which was finally published in 1830. It is certainly his most famous body of work and is often considered his best. The series actually consists of 46 images, with designs such as ‘The Great Wave off Kanagawa’, ‘Fine Wind, Clear Weather’, and ‘Rain Storm Beneath the Summit’, known worldwide. His other famous series ‘A Tour of the Waterfalls of the Provinces’ also appeared around this time period. In the mid-1830s, his illustrated book ‘One Hundred Views of Mt. Fuji’ was published. Filled with depictions of the mountain in often dynamic compositions, this book, alongside ‘Thirty-six Views of Mt. Fuji’, established Hokusai as the ‘Mt. Fuji artist’.
His last major print series, 'One Hundred Poems Narrated by the Nurse', was published between 1835 and 1838. After that, the artist focused on Japanese traditional paintings until his death.
Hokusai used over 50 names to sign his works and had achievements in various fields as an artist. His influences stretched across the globe to his western contemporaries in nineteenth-century Europe with Japonism, which started with a craze for collecting Japanese art, particularly ukiyo-e. He influenced the Impressionism movement, with themes echoing his work appearing in the work of Claude Monet and Pierre-Auguste Renoir, as well as the Art Nouveau style.
| Print Format | Double Page |
|---|---|
| Artist | Hokusai Katsushika |
| Subject | Ghosts & Religion |
| Dimensions | (T) 22.7 x 15.7 cm (B) 22.7 x 15.7 cm |
| Condition Report | Binding holes, light creases. |
| Folders | In Store, EG |
