Hiroshige I Utagawa, The Sea at Tsukuda in Edo, Thirty-six Views of Mount Fuji

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Artist: Hiroshige I Utagawa (1797-1858)
Title: The Sea at Tsukuda in Edo
Series title: Thirty-six Views of Mount Fuji
Publisher: Tsutaya Kichizo
Date: 1858
Size: 35.3 x 23 cm

絵師:広重初代
題名:冨士三十六景 東都佃沖
年代:安政5年

Original Japanese woodblock print.

The series 'Thirty-six Views of Mount Fuji' depicts the sacred mountain in differing seasons and weather conditions from a variety of different places and distances. While Hiroshige produced two different series with the same name, the print visible here is from the latter. While the first series are half-sized prints oriented landscape, the second series is full-sized with portrait orientation.

The island of Tsukudashima was known for its fishermen and its eerie sight at night, when the fire baskets used for fishing would glow in the dark, resembling spirits of local lore. Edo Bay was shallow and large ships had to lie at anchor in the bay, with cargo being transferred to smaller boats. Hiroshige manages to capture the daily life of fishermen and show the large number on boats just outside of Edo which suggests the commercial success and prosperity of the city.

Hiroshige I Utagawa (Hiroshige Ando)


Hiroshige I Utagawa was a woodblock print artist best known for his landscape prints and considered as one of the greatest Japanese artists in ukiyo-e history to have influenced Western impressionists, such as Van Gogh and Claude Monet. Born in Edo (today’s Tokyo), he started sketching from an early age and was later accepted into Toyokuni I Utagawa’s highly successful studio mostly under the guidance of Toyohiro Utagawa (1773-1828), from whom he would adopt his art name. He also took nanga painting lessons that had a great influence on his later work.

In 1831 his first landscape series ‘Famous Places of The Eastern Capital’ (Toto Meisho) was published and the following year Hiroshige passed on his family responsibilities to his relatives to dedicate his entire energy to printmaking. In 1832, it is said that Hiroshige was appointed by Bakufu, the feudal government of Japan, to accompany an official procession from Edo to Kyoto along the Tokaido road. The artist made many sketches during this journey, resulting in the production of his most acclaimed series ‘Fifty-three Stations of the Tokaido Road’, although some of the designs are based on older available images. To be noted that it was rare for an artist (and regular people in general) to be able to travel and sketch landscapes from life during the Edo period, which makes some scholars believe that Hiroshige depicted most scenes entirely from his imagination.

The ten-year period of 1833-1843 is thought to have been Hiroshige’s most developed and innovative time as an artist. A lot of series that were produced during this time, such as ‘Sixty-nine Stations of Kisokaido Road’, ‘Eight Views of Omi’ and ‘Famous Places of Kyoto’, would lead to the peak of his career when he produced the ‘Famous Views of the Sixty-odd Provinces’, ‘Thirty-six Views of Mt Fuji’ and his last great series, ‘One Hundred Famous Views of Edo’. In addition to his landscape prints, Hiroshige also designed kacho-ga (pictures of birds and flowers), bijinga (pictures of beautiful women), yakusha-e (pictures of actors), warriors and historical subjects.

Hiroshige’s prints are particularly sought for their perspective and excellent bokashi (colour gradation). Careful overprinting and shading of colours bring to life many natural elements such as the sky or water, rocks and mountains. An appreciation for wood pattern can also be noted in Hiroshige’s prints, with certain designs showing a unique texture and an organic quality deeply cherished by collectors. As many other reputable artists, he also had many students, some of the most famous being Hiroshige II Utagawa and Hirokage Utagawa.

More Information
Print FormatOban (Vertical)
Artist NameHiroshige I Utagawa (Hiroshige Ando)
TitleThe Sea at Tsukuda in Edo
SubjectLandscapes
Dimensions35.3 x 23 cm
Condition ReportTrimmed, added margins, small restored tear on the left.
SeriesThirty Six Views of Mount Fuji