Paul Binnie, Cat in the Rain, Ame ni Neko

£310
SKU
ame_ni_neko_28/100
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Artist: Paul Binnie (1967-)
Title: Ame Ni Neko (Cat in the rain)
Edition: 28/100
Date: 2013
Size: 32.8 x 12.8 cm

Original Japanese woodblock print.

paul binnie, cat in the rain
paul binnie, cat in the rain paul binnie, cat in the rain

Paul Binnie (born May 27, 1967) is a Scottish painter and printmaker known for his colourful woodblock prints. He studied printmaking under the master printer of Doi-Hangaten on the recommendation of artist Toshi Yoshida. Binnie has exhibited widely in such places as Tokyo, Paris, London and New York, and his works are in many collections, such as the British Museum and Metropolitan Museum of Art. In his works, he skillfully combines Japanese culture with Western ideas.

On contrary to the general belief that cats dislike water, the one pictured by Paul Binnie seems to be enjoying his time outside in the rainy weather. The cat and its blurry reflection in the water admirably contrast with the fainter area of the bokashi (gradation) background, whilst the straight spouts of rain are vividly presented on the darker part.

More Information
Print Format Tanzaku
Artist Name Paul Binnie
Title Ame Ni Neko (Cat in the rain)
Subject Animal & Birds
Dimensions 32.8 x 12.8 cm
Condition Report Faint creases in the bottom corners of the margin.

Paul Binnie


Blending traditional methods with a modern style, Paul Binnie is working mostly under the influence of Shin-hanga movement, founded by the publisher Shozaburo Watanabe (1885-1962). Shozaburo was aiming to renew declining Ukiyo-e tradition and break into foreign markets by commissioning new, young artists who would work within the old co-operated system, composed of the publisher, artist, engraver and printers. However, Paul makes his own prints from beginning to the end by himself, as was done by artists of another post-war movement: Sosaku hanga.

He mostly works in several subjects such as Kabuki, tattoo, landscape and beauty prints. His original plan had been to stay in Japan less than he actually did but once he started to sell his Kabuki prints, he decided to expand his technique more and has created works of this subject until 1998 in Japan. His interest in Japanese tattoo was born when he saw Yakuza, members of the Japanese mafia who traditionally have body tattoos, bathing for the first time in a sento (Japanese-style public bath). He is still working on a series of woodblock prints of this theme. Near the end of 1997, he began to do Japanese landscape prints and these became a huge success.

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