Paul Binnie, Dawn Moon, Gyogetsu, Contemporary

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Original Japanese woodblock print.
Paul Binnie, Dawn Moon, Gyogetsu, Contemporary
Paul Binnie, Dawn Moon, Gyogetsu, Contemporary Paul Binnie, Dawn Moon, Gyogetsu, Contemporary

Artist: Paul Binnie (1967 -)
Title: Gyogetsu (Dawn Moon)
Edition: 22/50
Date: 2002
Size: 31.0 x 11.5 cm
Condition report: Minor ink spots around the margins.

 

Paul Binnie (born May 27, 1967) is a Scottish painter and printmaker known for his colourful woodblock prints. He studied printmaking under the master printer of Doi-Hangaten on the recommendation of artist Toshi Yoshida. Binnie has exhibited widely in such places as Tokyo, Paris, London and New York, and his works are in many collections, such as the British Museum and Metropolitan Museum of Art. In his works, he skillfully combines Japanese culture with Western ideas.

 

Moon brightly gleams on a darkening sky. Clouds faintly illuminate its brightness, causing the Moon to be the focal point of attention. This hosoban size image was printed in extensive bokashi (gradation) in a more time-consuming process than the other cloud prints of Paul Binnie.

More Information
Print Format Tanzaku
Artist Name Paul Binnie
Title Gyogetsu (Dawn Moon)
Subject Landscapes, Contemporary
Dimensions 31.0 x 11.5 cm
Publisher Self Published

Paul Binnie


Blending traditional methods with a modern style, Paul Binnie is working mostly under the influence of Shin-hanga movement, founded by the publisher Shozaburo Watanabe (1885-1962). Shozaburo was aiming to renew declining Ukiyo-e tradition and break into foreign markets by commissioning new, young artists who would work within the old co-operated system, composed of the publisher, artist, engraver and printers. However, Paul makes his own prints from beginning to the end by himself, as was done by artists of another post-war movement: Sosaku hanga.

He mostly works in several subjects such as Kabuki, tattoo, landscape and beauty prints. His original plan had been to stay in Japan less than he actually did but once he started to sell his Kabuki prints, he decided to expand his technique more and has created works of this subject until 1998 in Japan. His interest in Japanese tattoo was born when he saw Yakuza, members of the Japanese mafia who traditionally have body tattoos, bathing for the first time in a sento (Japanese-style public bath). He is still working on a series of woodblock prints of this theme. Near the end of 1997, he began to do Japanese landscape prints and these became a huge success.