Shiro Kasamatsu, Hazy Evening at the Edge of Shinobazu Pond

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JG0321EV07
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Artist: Shiro Kasamatsu (1898-1991)
Title: Hazy Evening at the Edge of Shinobazu Pond
Publisher: Watanabe
Date: 20th century (originally printed in 1932)
Posthumous
Size: 26 x 39.2 cm

Original Japanese woodblock print.

shiro kasamatsu, Hazy Evening at the Edge of Shinobazu Pond
shiro kasamatsu, Hazy Evening at the Edge of Shinobazu Pond shiro kasamatsu, Hazy Evening at the Edge of Shinobazu Pond
More Information
Print Format Oban (Vertical)
Artist Name Shiro Kasamatsu
Title Hazy Evening at the Edge of Shinobazu Pond
Subject Landscapes, Modern/Shin-Hanga
Dimensions 26 x 39.2 cm
Condition Report Excellent.

Shiro Kasamatsu


Shiro's paintings appeared at several respected exhibitions. When his works were shown at the Bunten exhibition, they attracted the attention of Watanabe Shozaburo, the Tokyo publisher who initiated the Shin Hanga (New Print) movement. Watanabe contacted Shiro about designing woodblock prints, and in 1919 Shiro’s first print was published. He designed some more prints during the next few years, but the fire that followed the Great Kanto Earthquake destroyed Watanabe's shop and the blocks for these prints of the artist. Shiro resumed working with Watanabe in the 1930’s and their relationship lasted until after the Pacific War. During the years of their collaboration, Shiro designed a number of landscape prints depicting traditional lifestyle of Japanese people and famous places. His works became popular with Westerners, and one of these prints entitled ‘Shinobazu Pond’ created such a huge demand that it was extensively reprinted over many years since it first appeared in 1932. In the 1950's, Shiro became attracted by the idea of Sosaku Hanga (creative print) printmaking, in which artists carved and printed his own designs, yet it took him many years to independently produce his own works. By the time he started working on his own, he had collaborated with Unsodo, a Kyoto publisher. Many of his Unsodo-published prints are considered fascinating and superior to those published by Watanabe. In the late 1950's, he finally started carving and printing his own designs. These self-produced works were in limited editions and signed in English by himself, unlike those published by Watanabe, to which English signatures were applied by Watanabe's employees.

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