Toshihide Migita, Captain Kurita Fighting Bravely with the Great Sukesada Sword

£200
SKU
CMMA286
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Artist: Toshihide Migita (1863-1925)
Title: Captain Kurita Fighting Bravely with the Great Sukesada Sword against Chinese Army at Magong District, Taiwan
Series title: The First Sino-Japanese War
Publisher: Matsuno Yonejiro
Date: 1895
Size: (L) 25.5 x 37.9, (C) 25.6 x 38.0, (R) 25.5 x 38.0 cm

Original Japanese woodblock print.

toshihide migita, Captain Kurita Fighting Bravely with the Great Sukesada Sword against Chinese Army at Magong District, Taiwan
toshihide migita, Captain Kurita Fighting Bravely with the Great Sukesada Sword against Chinese Army at Magong District, Taiwan toshihide migita, Captain Kurita Fighting Bravely with the Great Sukesada Sword against Chinese Army at Magong District, Taiwan

Battle triptychs were produced in large numbers during the Sino-Japanese (1894 - 1895) and Russo-Japanese wars (1904 - 1905) to satisfy widespread interest in the progress of the imperial army and maintain popular support for the conflicts. The prints idealised the heroism of Japanese troops risking their lives for the emperor. As the demand for traditional woodblock prints fell in the Meiji era, many artists turned to wartime propaganda to make ends meet.

More Information
Print Format Triptych
Artist Name Toshihide Migita
Title Captain Kurita Fighting Bravely with the Great Sukesada Sword
Subject War
Dimensions (L) 25.5 x 37.9, (C) 25.6 x 38.0, (R) 25.5 x 38.0 cm
Condition Report Light soiling, minor foxing spots, small creases on the edges.

Toshihide Migita


Toshihide received his artistic name from his master, Yoshitoshi Tsukioka (1839-1892). He designed a wide variety of prints including actor prints, bijin-ga (prints of beautiful women), newspaper illustrations, kuchi-e (illustrations for novels) and senso-e of the Sino-Japanese (1894-1895) and Russo-Japanese (1904-1905) Wars. From 1887, like many of the woodblock artists who were trying to adapt to changes in art and publishing, he worked as an illustrator for books and newspapers, including a long stint with the Asahi Shinbun starting in 1897.

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