Toyokuni III Utagawa, Noh Performance, Hagoromo no Matsu

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Artist: Toyokuni III Utagawa (1786-1864)
Title: Noh Performance, Hagoromo no Matsu (能狂言之内羽衣の松)
Publisher: Iseya Tetsujiro
Date: 1843
Size: (L)35.8 x 24.2 (C)36 x 23.7 (R)35.9 x 24.3 cm

Original Japanese woodblock print.

toyokuni III utagawa, noh performance, theatre, triptych
toyokuni III utagawa, noh performance, theatre, triptych toyokuni III utagawa, noh performance, theatre, triptych

In the story of Hagoromo (The Feather Mantle), a fisherman is walking with his companions at night when he finds the Hagoromo, the magical feather-mantle of a tennin (an aerial spirit or celestial dancer) hanging on a bough. The tennin sees him taking it and demands its return, as she cannot return to Heaven without it. The fisherman finally promises to return it if she will agree to show him her dance. She accepts his offer, then after her dance, the tennin disappears like a mountain slowly hidden in mist.


Kunisada’s pictures reflect the culture of Japan in the years leading up to the country’s opening to the West. His first book illustrations were published in 1807, his first actor portrait the following year, alongside theatrical scenes and courtesans, yakusha-e was his preferred genre amidst all his popular and extensive output. As he painted very many of these, continuing the stout realism of his teacher, he acquired the sobriquet 'Yakusha-e no Kunisada' – Kunisada, the actor painter. From 1830 he continued the development of the Utagawa school, and from 1844 onwards signed his works Toyokuni III.

More Information
Print Format Triptych
Artist Name Toyokuni III Utagawa (Kunisada I)
Title Noh Performance, Hagoromo no Matsu (能狂言之内羽衣の松)
Subject Beauty & Female, Ghosts & Religion, Animal & Birds
Dimensions (L)35.8 x 24.2 (C)36 x 23.7 (R)35.9 x 24.3 cm
Condition Report Wormholes, slightly trimmed, paper residue on the back.

Toyokuni III Utagawa (Kunisada I)


Kunisada I Utagawa was a prolific woodblock print artist mostly known for his pictures of beautiful women (bijinga) and kabuki actors prints (yakusha-e). Born in Edo (today’s Tokyo), he became a pupil of Toyokuni I Utagawa (1769-1825) at the age of 15 and would later adopt his name in the traditional Japanese manner, becoming Toyokuni III and continuing the development of the Utagawa art school.

Kunisada’s pictures reflect the culture of Japan in the years leading up to the country’s opening to the West. His first book illustrations were published in 1807 and his first actor portrait the following year. Alongside theatrical scenes and courtesans, yakusha-e was his preferred genre amidst all his popular and extensive output. As he painted a large number of these, continuing the stout realism of his teacher, he acquired the nickname ‘Yakusha-e no Kunisada’ – Kunisada, the actor painter. In his numerous bijinga he clung to the ideal of beauty prevalent at the time. Most of the women portrayed were courtesans from Yoshiwara, the regulated red-light district of the city.

In 1820s Kunisada joined author Ryutei Tanehiko (1783-1842) to work on illustrating a series of books based on the classical novel ‘The Tale of Genji’, the reinterpreted story having been relocated from the old capital of Kyoto to the new audience in Edo. The work started a new ukiyo-e genre, genji-e, and proved an overnight success, becoming the first Japanese publication to sell over 10,000 copies, a record which stood for many years.

Kunisada gave his audience an escape from the restrictions of their ordinary lives and his designs, with their optimism and energy, still have the capacity today to attract and entertain. Notable students of Kunisada included Kunichika Toyohara, Sadahide Utagawa and Kunisada II Utagawa.