yoshitoshi, demons, thirty-six ghosts, meiji, samurai, japanese warrior
yoshitoshi, demons, thirty-six ghosts, meiji, samurai, japanese warrior yoshitoshi, demons, thirty-six ghosts, meiji, samurai, japanese warrior

Yoshitoshi Tsukioka, Tametomo's Ferocity Drives Away the Smallpox Demons

£1800
SKU
JG0719MU02
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Reserved

Artist: Yoshitoshi Tsukioka (1839-1892)
Title: 9. Tametomo's Ferocity Drives Away the Smallpox Demons
Series: New Forms of Thirty-six Ghosts
Publisher: Sasaki Toyokichi
Date: 1890
Size: 25 x 36.8 cm

Original Japanese woodblock print.

The artist known as the last, great traditional woodblock print artist, Yoshitoshi Tsukioka, was entranced by ghost stories and the spiritual. This was partly due to his teacher, Kuniyoshi Utagawa, being superstitious, and partly due to his own experiences with ghostly sightings, including a supposed run-in with a spirit in 1871. Throughout his life, Yoshitoshi produced many prints of a more macabre nature touching on spirits in other series besides his Thirty-six Ghosts. 

In this print he portrays the intimidating twelth-century warrior, Minamoto no Tametomo. Famed for his skill with a bow, legend says Tametomo was exiled multiple times for subjugating areas without an imperial mandate. Though he is said to have killed himself at the age of thirty-one in the first recorded instance of ritual suicide, or seppuku, the Edo novelist Bakin writes of how he instead made his escape to Okinawa, which he promptly subjugated. While there he scared off smallpox demons that were threatening the villagers, the scene portrayed in Yoshitoshi's print.

As with all the prints in the Thirty-six Ghost series, Yoshitoshi has caused the margin of his artwork to look frayed to create a slightly unnerving atmosphere for the viewer.

Yoshitoshi Tsukioka


Yoshitoshi Tsukioka was one of the leading woodblock print artists during the Meiji era (1868-1912) and one of the last to work in the traditional ukiyo-e manner. Born in Edo (today’s Tokyo), he showed a strong interest in classical Japanese literature and history. When he was 11, he became a student at Kuniyoshi Utagawa’s studio. Under his teacher’s guidance, he showed exquisite draftsmanship and learned how to draw from life, something not necessarily part of the training schools of painting and illustration in Japan.

Yoshitoshi’s rise as an artist came at a time when Japan was faced with great changes and challenges. The new Meiji era (1868-1912) brought many conflicts between those loyal to tradition and those wishing to embark on a process of forced modernisation and adoption of western values. These sentiments, along with having witnessed some of the violent uprisings, influenced his early career, with intense, often disturbing images that reflect turmoil and pain. Even so, many other prints from this early period show whimsical touches, with reinterpretation of themes seen in his teacher Kuniyoshi’s works. With deep cultural roots, Yoshitoshi’s style was dynamic and distinctive: he was known for experimentation in style and genre, as well as for his innovative works. He worked on series depicting kabuki actors, bijinga (pictures of beautiful women), warriors, monsters and ghosts. Supernatural themes abound in his later work, showing a fascination for old Japanese folk stories.

The publishing of Yoshitoshi’s most popular series 'One Hundred Aspects of the Moon' commenced in 1885 and spanned a wide variety of subjects, such as warrior, animals, ghosts, natural phenomena, beauties and others. The artist’s early tendency for gore and horror was replaced by images of lyricism, calm, spirituality and psychological depth. 'Thirty-two Aspects of Customs and Manners', published in 1888, shows Yoshitoshi’s ability to portray emotions like no other artist of his time, presenting women of various background and eras in Japanese history, each with distinct traits.

In 1889, the series 'New Forms of Thirty-six Ghosts' started to be published, showing images of apparitions, mostly based on folklore and plays, depicted powerfully and imaginatively. This was, perhaps, a catharsis for the artist who claimed to have seen ghosts and strongly believed in supernatural beings. Many of Yoshitoshi’s late works were acclaimed at a time when western techniques of mass production such as photography were making the woodblock obsolete, breaking new ground by portraying intense human feelings through a traditional medium. He became a master teacher and had notable pupils such as Toshikata Mizuno and Toshihide Migita.

More Information
Print FormatOban (Vertical)
ArtistYoshitoshi Tsukioka
SubjectSamurai & Male, Ghosts & Religion
Dimensions25 x 36.8 cm
Condition ReportHorizontal centerfold. Pinholes in bottom right corner. Creased corners. Tape residue in top left and right corners. Minor tears repaired on top.
PublisherSasaki Toyokichi
FoldersIn Store, CC
LocationOn Display, Event VS
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