Kuniyoshi Utagawa, Oiwake, The Sixty-nine Post Stations of the Kisokaido Road

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Artist: Kuniyoshi Utagawa (1798 - 1861)
Series: The Sixty-nine Post Stations of the Kisokaido Road
Station: Oiwake
Main scene: The deformed Oiwa squeezing blood from a hank of her hair watched by Takuetsu
Publisher: Takeda-ya Takezo
Date: 1852
Dimensions: 36 x 24.4 cm
Provenance: BW Robinson

Original Japanese woodblock print.

kuniyoshi utagawa, oiwa, ghost story, japanese horror, kisokaido
kuniyoshi utagawa, oiwa, ghost story, japanese horror, kisokaido kuniyoshi utagawa, oiwa, ghost story, japanese horror, kisokaido

In Japanese art and literature, place names often have a significant importance and relate to famous stories or events. Kuniyoshi's series 'The Sixty-nine Post Stations of the Kisokaido' is a clear exercise in this convention, playfully connecting the names of the post stations along the Kisokaido, a mountainous road from Tokyo to Kyoto, with folkloric, historical and literary tales.



'Yotsuya Kaidan' is arguably the most famous Japanese ghost story of all time. Made into a kabuki play, it was filled with fantastic special effects that delighted audiences.



The story is about the unfortunate Oiwa who is being mistreated by her evil husband, Iemon. He wants to divorce her and marry the daughter of his wealthy neighbour Kihei and gives her poison with the intent to get rid of her faster. Kuniyoshi captures this gruesome moment in the play and shows Oiwa as the poison takes effect and she is visited by the blind masseur Takuetsu. Although he cannot see, he realises that something is terribly wrong when he touches her face and feels the swellings. He tells Oiwa to look in a mirror, and she is appalled by what she sees. When she attempts to comb her hair, it falls out in bloody clumps, dripping onto the white paper of an overturned standing screen. Overcome with fear, Takuetsu runs away, and Oiwa cuts her throat with her husband's sword. She subsequently returns as a ghost in many different manifestations, haunting Iemon until he is slowly driven mad and drowns himself into a river.

Kuniyoshi Utagawa


Kuniyoshi Utagawa can without a doubt be considered the master of the warrior print genre. Born in Edo (today’s Tokyo) as the son of a silk-dyer, he had first-hand experience that later influenced the rich use of colour and textile patterns in his prints. His early talent and his drawings impressed the ukiyo-e print master Toyokuni I Utagawa and he was officially admitted to his studio in 1811, becoming one of his chief pupils. He remained an apprentice until 1814, at which time he was given the name ‘Kuniyoshi’ and set out as an independent artist.

His break-through came in 1827 with the series of ‘The 108 Heroes of The Tale of Suikoden’, which is based on a Chinese novel of the same name from the 14th century. It contains tales of about 108 rebels and heroic bandits that were very popular in Japan during Kuniyoshi’s lifetime, as their strong feelings of justice resonated with the Edo public with limited freedom and under strict government laws. A series of reforms in the 1840s banned the illustration of courtesans and kabuki actors in ukiyo-e. The government-created limitations became a kind of artistic challenge which actually encouraged Kuniyoshi's creativity by forcing him to find ways to veil criticism of the government allegorically. He also played a major role in tattoo designs in woodblock prints, with many of his works still being a source of inspiration for contemporary tattoo artists. 

The warriors and heroes Kuniyoshi continuously designed were extremely popular and gave the artist the nickname of ‘Kuniyoshi of Warrior Prints’. Dynamic bodies and stern expressions were characteristic to his warriors, lending them a powerful and strong look. The commercial success of his warriors gave Kuniyoshi the freedom to explore other subjects of ukiyo-e, such as animals, birds, flowers, beautiful women, monsters and ghosts. His compositions are replete with humour and often involve witty wordplay. His most spectacular triptychs of warriors resonate even in contemporary culture, with influence in modern graphic media such as manga. His most famous designs include ‘The Ghosts of Taira Attack Yoshitsune at Daimotsu Bay’ and ‘Princess Takiyasha Summons a Skeleton Spectre to Frighten Mitsukuni’.

Kuniyoshi was an excellent teacher and had numerous pupils who continued his branch of the Utagawa school. Among the most notable were Yoshitoshi, Yoshitora, Yoshiiku, Yoshikazu, Yoshitsuya, and Yoshifuji. As they became established as independent artists, many went on to develop highly innovative styles of their own.

More Information
Print FormatOban (Vertical)
ArtistKuniyoshi Utagawa
SubjectMale & Female, Landscapes, Ghosts & Religion
Dimensions36 x 24.4 cm
Condition ReportSlightly trimmed. Pinholes restored on the left side.
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